the exotic * sombra india* gets to works with slick guitar licks and a driving beat, enhanced with powerful and captivating vocals from eduardo castillo. already a firm favourite of damain lazarus and luciano, this has been getting a huge response on dance floors this summer. on the flip and the cut-up afro-house * sanura* is highly exotic driving monster of a tune, no messing around, straight to the dance floor!
german native sis shot into the limelight in 2008 with releases on cecille and ricardo villalobos label * sei es drum*, which up until that point had only showcased ricardos own productions. no stranger to the crosstown rebels catalogue, he delivered the first ever rebellion release and then later the * round pen ep* on crosstown rebels in the summer of 2012 and the more recent * slider* on rebellion. other productions have appeared on esteemed labels such as cocoon, 8bit, connaisseur, get physical, with a more recent album on cocolino.

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

carl finlow could be regarded as one of the cornerstones of not only 20/20 vision, but also of british electronic music. his boundary pushing, electro-tinged productions under the random factor alias make for essential 20/20 listening, as does his work as 1/4 of 2020soundsystem. while this year has been about looking to the future of the label, we also felt it was important that we looked deep into our history and revisited one of our all time classic records: random factor – broken mirror. on the a side carl has prepared a new ‘revisted’ version for this release and this is accompanied by the original version from 1999. for the remixer we thought long and hard about someone we felt would be suitable. someone with pedigree in the electro scene, who would feel as passionate as we do about making this release something truly special. there was only really one person we wanted and luckily when we contacted legowelt he was a big fan of the original track and was super keen to get onboard the project. we hope you enjoy these two pioneers of the electro scene going head to head x

mak & pasteman are pleased to announce a pair of new artists into the materials fold, woz & troy gunner aka wxt. with success across the board in their own right on black butter & mindset the pair join forces for their first joint venture on the materials imprint. convo is a big room arpeggiated techno heater, pairing emotive vocals with an air of darkness that fits perfectly with the materials aesthetic. hudson moore uses clanging metallic percussion and rattling sub notes to meld grime influences and techno mentality into a tough roller that was built for the club.

sometimes you wait and things fall into place, this is an a&r man s dream. you can spend hours banging your head, waiting for lightening to strike, trying to find the perfect pairing, it s there floating around in your head but the answer is not clear. the record needs a remix, but who would be perfect?

after seducing people around the world with the future classic into the sun on local talks oneoffs label and footwork anthems on don t believe released on studio barnhus it s now time to present daybreak or as tooli described the track the first time he heard it -it s like listening to deep burnt part 2-. perhaps it was the jetlag (tooli arrived in nyc the very same day henry sent it) or the fact that it s a straight forward deep track with lush strings and no fuzz included. it s up to you to decide. for remix duties label boss tooli was brave enough to have a go himself and recorded some piano chords and strings. on the flip is where the real magic happens - parkway records head honcho mark seven, considered by many as a dj s dj and mighty fine producer, delivers a remix that takes you on a journey and a half. it s deep, got tons of percussions and lures you into afro territory. if body and soul was still around this one would peak on a sunday afternoon.

daniel.t. has been subtly making waves over the past few years as one half of the la duo cosmic kids with releases on labels including throne of blood, let s play house and dfa. a record collector and selector at heart, 2015 has seen him flesh out his solo productions with world-leaning contributions to chit chat s brazilian tinged 12 and american standard s african summer stunner. young adults brings daniel into the fold for his debut tetrachromat mini-lp spanning a sprawling spectrum of sounds, but unified by a signature west-coast sheen. opener mission hill morning stretches its arms in the early am mist, tetrachromat jogs steadily toward the horizon and planetesimal accelerates the mph in the drop top down pch. on the flip, laced takes a smoke break down a dusty dirt road, akoussah sprinkles some sultry spice and the sun & the sky sits back while the sea sips up the last remaining daylight.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove.

park and ride records land into brooklyn with some serious hot techno and house tracks . one more time they are full of individually and personality. amazing cover art again. vinyl only.

echologist and vohkinne go head to head in the latest release for atrophic society. utilising a library of field recordings the two captured in their respective back yards. they ve crafted a sonic pallet using only those sounds, which serves to give a tangible cohesion across the ep as well as provide something a little different from the norm. each track captures a unique set of machine sounds and turns them into brooding, heady, atmospheric techno. a thousand cuts and scythe serve as heavy hitters, whereas nature control and broad swathe to the far side bring a dark mood seething with anticipation.

the television screen is the retina of the minds eye david cronenberg, videodrome 1983. passarella death squad lynchpin danny passarella collaborates with london techno producer perc to create 5 soundscapes echoing erotica viewed through supercharged synapses to accompany the recent series of artworks created by danny passarella that share similar voyeuristic obsessions. lavishly colourful, the listener is drawn towards them, like an obsessive james woods slithering into his television in the climactic sequence of cronenberg’s horror classic videodrome. available as a limited edition 12- see-through blue vinyl release, the 5 tracks act as an abstraction and intensification of the mood set with their previous collaboration temperature s rising .

ozone 23 is the second release to explode out of the sp23 studio bunker. ozone - 23 psi (sirius and crystal distortion) lay down a breakneck slammer bursting with whiplash breakbeats, dark gleaming basslines and a relentless, driving flow. ultra detroit - ixindamix kicks the doors off a heaving detroit warehouse with a funky roller fuelled by searing synths, hypnotic vocals and a steely edged analogue warmth. u boat - jeff 23 and crystal distortion dive deep down into the abyss with a mechanical symphony of dark menace, charged frequency and sublime tension

sink into a world of deep electronic rhythm and texture, clouded house is a not for profit venture whose aim is to take you higher. 1989 is the debut deep house tragedy from lukas lyrestam where pumping music-machines from outer space are brought back down to earth in a shuttle constructed of heartfelt songwriting. thick, gritty and for fans of nicolar jaar and galcher lustwerk, this is music for deep basements and curious minds.

returning to truesoul, dubspeeka s new ep is an outstanding piece of work that showcases his talents as a producer. weaving through a dark brooding electronic landscape, dubspeeka s ep brings together imaginative ideas and laces them with electronic beats to create something unique. melodic lead lines transform this entire ep into something with a unique charm that only dubspeeka can conjure up.

landside paert 1 is a visionary journey into uncharted lands. comes with a max cooper remix

already featuring on two earlier prrukblk samplers and on the digital imprint, it was just a matter of time for his 12 inch solo-debut to come, von grall presents his *no contact ep* on the planet rhythm black imprint. the paris-based producer has been pushing forward his characteristic deep & atmospheric sound over the past two years and has proven to be one of the strong upcoming forces of the label. next to the great claudio prc remix on the a-side, the release features three original tracks ranging from the dancefloor-driven *quadratic* to the trippy *no contact* and even deeper into dark atmospheric sounds on *molecular collison* - making this ep another strong addition to the prrukblk catalog!

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

repress 2015 ... with dubsteps big push into the mainstream, stirring up all manner of hybrids, variants and mutations, its worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception. paul rose, aka scuba, and his hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. putting out key tunes by the core pioneers of dubstep, but also by true outliers like mount kimbie, joy orbison and sepalcure, hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. joining the uk underground to the deep-rooted techno culture of berlin, where rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. so next time you hear someone talking about >post<- this or >future<- that, consider that maybe the times are just catching up with hotflush. back and 4th features ten brand new tracks from bass musics most innovative producers, as well as a collection of essentials from hotflushs recent catalogue. the compilation is presented in double-cd and as a triple 12 inch vinyl release.

melokolektiv and konvex & the shadow transform the original into an emotive electronica track, combining hypnotic pads and chords with a syncopated beat and cleverly chopped vocals.

punctual is a stripped back, bleepy warehouse machine that hits hard but is versatile and funky. remix duties are taken care of by alex under from spain. after patrick s 12 on alex s cmyk musik it was time to invite alex into his community and alex delivered big time. alex refines the main ideas in the track, boiling it down to a solid groove and adding a killer bass riff that sounds like it was meant to be there all along.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove

geneve based pascal viscardi bring his rich and sweltering textures to saft with his first ep for the spanish label. the swiss producers paradiso ep is already the 9th installment and by no means an odd addition to the family. strongly rooted in soulful sounds with firm aesthetics and blissful melodies, this release is exactly what saft is all about. from the moment the pad in the title track starts riding, paradiso immediately hints to a deserted paradise.
tales from the emax (a2) is a groove laden anthem that will soothe those that are into soulful but firm sounds. on the b side, we find remix work of both originals. swiss house stalwart agnes stirs things up with his thriving rework of paradiso called la charme chambertin mixx. on the b2 cut we find saft familiar jefferson belmondo with a cracking rework of the title track *paradiso* called beach mix. 4 strong, groove-laden cuts that celebrate the saft sound like never before.

the a-side, spiral 7, is a pensive, evolving slow motion deep techno voyage across rolling waves of exhausted dancers while on the flip side spiral 4 dives beneath the surface with broken submarine bleeps and acoustic depth charges before spiral 3 finally drops anchor into a bottomless ocean of downbeat pulses. debut release from the melbourne, australia musician.

initial release for the relaunch of mff (music for freaks). the label was previously responsible for releases such as turning orange, washing machine, where were you when the lights went out, the creeps and worked with artists recloose / kenny hawkes / doc l junior / mark farina to name a few. for lets do it again… ricardo villalobos delivers in an innovative reworking. sent a variety of parts from tracks released on freaks - the man who lived underground album, ricardo took his inspiration from all of them and mixes them into a distinctively villalobos track - it was originally 14 minutes long

allez! here we go with the next release from terence :terry:’s highly-respected la vie en rose label. so far this year lvr has brought the heat with terence’s solo ep ‘acid heroes’ and the superb mix compilation ‘house couture’, which has received widespread praise. now, we have this brand new ep from a true paris legend, and an inspiration to terence himself – the one and only, jerome pacman. rising up in the early 90s, jerome established himself through the paris underground, and has remained one of the city’s finest selectors and producers. this four-track ep includes a remix from romanian godfathers livio & roby and represents jerome’s ability to throw down fresh, classic house rhythms with a modern twist. kicking off with ‘merry-go-round’, a bass-heavy rumbler imbued with subtle house tropes, we move into ‘jp sunlight’, a bubbling groover with twinkly, dream-like effects and a bassline that will lock in from the get go. on the flip we have ‘mpa’, a simple yet effective roller that will grip you with its repetitive groove and delicate use of detail in the background. livio & roby step up for the remix of ‘mpa’, which focuses on a more unusual, organic sound ethic – typical of the romanian sound that is so widely loved. a rework that is delivered with panache,

first full ep on fear of flying from label co-founder blm since 2010’s ‘step to this. during this time the london based producers sound has found a home on jus eds underground quality label as well as tusba and the secret sundaze imprint to name a few. * queen of nowhere* is an eclectic mix with * 128 grooves* harking back to the golden era of tech house with its crunchy beats and shards of melody imbuing the track with a sense of warmth . * hmrc* delves into electro territory with a melancholy air whilst the flip sides title track * queen of nowhere* is a straight up slice of no nonsense slammin techno. the ep is rounded off nicely by the more off kilter * i got my beno*, a lovingly deep and blissful breakbeat infused ride, perfect for those after hours sessions.

2015 will prove a benchmark year for scissor and thread with the rising momentum of frank & tony and desert sound colony and now with the introduction after many months of work of their new enigmatic artist, rosas nievas, with a sublime debut ep, every inch of you. like a tip of the hat to herbert, the title track entices with easy piano licks, a cooing vocal and a lush atmospheric enveloping the floor in a warm embrace. flipping the switch, the bounce of opinions propels dancers into hands-up, chicago-style elation, while the rollicking, looping closer, hear me rain, entrances with its early morning psychedelia. completing the package is a breakaway edit from label heads, frank & tony, who transform every inch of you into a sun-drenched, euphoric deep house stormer, in a way only they can do.

adventurous trips into leftfield drum & bass/footwork/unknown territory - highly recommended!

wet play invite you to take a dip into their aural bubble bath for a third soaking as they complete their where good friends meet triptych on red laser records. inaugurating three new players into their much-loved steam room alongside long-serving patron, metrodome. rest assured this is one wash closet you are sure to frequent again and again.

bedfords finest d-malice returns to wax after years spent refining his sound via his superb dm recordings digital imprint. indian time will appeal to fans of the uk funky sound who have missed the distinctive groove and vibe of that scene. on the flip basic soul unit takes things up a notch both in terms of bpm and energy, delivering a techno sureplayer which is bound to find its way into mainroom sets this summer.

perhaps it is something in the water or just plain vodka, we really have no idea but one thing is for sure - there is something special about those moscow disco heads. they sure know how to find a perfect beat and re-edit it to perfection. after lay-far it is now time for arsenii to step into the basic fingers arena. both sides on this 12 are filled with jazz-funk and library infused disco at its best. *allegria* sounds like bob james is jamming with the headhunters and on the flip *turbo* with its generous use of synthesizers almost has an outer space theme. essential indulgence for disco heads & connoisseurs everywhere.

drum island unveil their tenth release with an extraordinary ep from norways klaus lunde. from norways oldest city tonsberg comes the stargazing sounds of klaus lunde: an acclaimed and prolific electronic music composer, his array of releases under the xerxes music pseudonym explore a unique take on ambience and tonal electronica that is a mesmerising and accomplished body of work to be sure. this, undoubtedly many peoples first introduction to his work, is a perfectly pitched collection that highlights the familiar themes of the xerxes work, but fits easily into the drum island blueprint of music for the midnight sun. on the exerxes ep, we are treated to pulsating balearic trance and zero gravity house before gliding into relaxed ambience, soothing new age and horizontal night music. we then dive further into the psychedelic ocean hidden below with truly tripped out kosmiche vignettes of warping and spine-tingling odd-pop. guest vocals from fellow viking marthe borge-lunde pfirrmann (aka phoenix) making this is a cinematic tour de force! limited edition import vinyl - full picture sleeve - one press only.

blue mondays is a project of alex ferrazzi and keemani. both vinyl collectors and involved within the italian underground scene from the beginning of the early 2000s, they grew up cultivating different backgrounds, alex was always into disco and old school house music while keemani was more into new wave and rock vibes. merging their backgrounds inside the studio, they come to you with a dance floor oriented sound spanning nu disco to techno, based on dope beats, smoked out samples, deep basslines, and uplifting vibes.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove. kachiri ep is out on digital format on 25th may, with limited edition vinyl out in june on nein records.

clio has joined truesoul with some superb electronic tracks that are techy and filled with funk.
each track has its own personality, using catchy vocal hooks, synth lines that engrain into your brain and tough chunky drums that keep the rhythm flowing. this ep is one that will take any dance floor to the next level.

the talended italian based artist -sonartek- dropped 3 dope minimal orginals on the 7th rqm releaseto show why his music are unique. a deep trip into dark frequencies and mental groove tunes of high quality sounds. once again for the remix rqm hires the cooperation of francesco passantino & gabriele carasco for a massive deep break beat remix. no more to say just listen and enjoy.

kepler is no exception to that approach. a tough groove, backed by an enormous bass drum marches forward, while the looped melody patterns keep the energy flowing. the well-structured break downs and crisp hats will provide maximum impact on a proper dancefloor near you. cosmic vision takes us on an excursion into deep space. the sleek slow burner morphs tripped-out, effect filled pads with funk-driven percussion sounds. going full throttle midway, after a mysterious voice starts leading the way.

we find it slightly hard to believe that it s been three years since blocks and escher launched narratives music with their explorative *sagan / broken* 12-inch. unafraid to stray from its drum & bass roots, the label has since become synonymous with encapsulating, poignant, cutting-edge music. favouring quality over quantity, blocks and escher have kept the narratives release schedule sparse, only now hitting the big 1-0. along with the founders, only overlook, asc, loxy & resound and rhyming in fives have had their names tied to the label, and it s the latter who returns now for the tenth release.
first surfacing in 2013 with the hindsight ep, rhyming in fives remains enigmatic to say the least. little to nothing is known about the producer, and aside from a free download that dropped last week via mixmag, the new 4-track light leaks ep is only the second offering ever from the mysterious musician.

g-23 makes his debut under the strange audio dreams moniker, coming through on italy s young art-aud label with a sweltering two-tracker backed by two heavy remixes. -error design 1- is a break-driven jam that never truly drops into pool of nastiness, leaving you yearning more, while -error design 2- strips the beats in favour of glitchy field recordings and percussion-driven drones. pan s nhk yx koyxen remixes the former into a wonky bit of brain dynamite, pushing those breaks in and out his melodic waves, cardopusher makes a deep techno roll out of the same original tune. all in all, a rather essential piece of gear.

cotton claw is a brand new project that brings together four french producers : lileanarrative, zo aka la chauve- souris, yoggyone and zerolex. real live band, each on his pad controller, cotton claw takes us into their world tinged of powerful club music, fluffy house music using massive analog synth, unstoppable arpeggios and sexy granular melodies. the four members of cotton claw, have met in order to play together each part in live, to create a new modern live band, to take and give pleasure to the dancefloor, and give their vision of club music.

up and coming belgium-born activist philippe petit, operator of the knotweed and decision making theory labels, returns to figure spc with a delightfully versatile four tracker. spanning cold-wavesynth electronics, purist club techno and up-building melodic zones, its perhaps petits strongest effort yet. capturing a neo-classical, archaic mood in >mist<, philippe works stunning cyclic synth themes along with tactile filtering drum patterns. >solaris< and >negative zone< then both work stand-out tracky, trippy elements into two killer club weapons, showing off the frenchmans studio skills. the lighter footprint of >suspended< closes the ep with a joyful, above the clouds journey, lifting up weightlessly into the ether.

iron me debuts on resopal for a grand sonic journey not only to the vibrant heart of the dancefloor. coupling contemporary 4/4 tracks with a bit unusual resopal style breakbeatish-tinged soundscapes and deep deep dub, iron me acts as both a skillfully composed portfolio of personal memories and a sublime collection of charming cuts. his unique mélange of emotional and functional elements works exceptionally well for the full-length format. each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. red bodden is an album for dancing wildly, relaxing, hoovering the house and losing yourself. a true musical journey.

it’s happening again… after showcasing the up and coming arcarsenal from bass cadet records on their first opus, the london via berlin based record label has found another young, talented and as-yet unknown producer – repo man – for his debut release, repo man has found a perfect home at tinh - deep balearic to weird stripped down techno to floor-filler summer jams, the tinh “anything goes” ethos is fully satisfied on this ep. to top it all off, the record comes armed with the great anaxander on remix duties, transforming “open green” into an upbeat, g-funk house scorcher - those crazy synths will get you throwing that bottle of hennessey high in the air!

i want to let her know though
that all the nights
sleeping beside her
even the useless arguments
were things ever splendid
and the hard words
i ever feared to say
can now be said:
our bones like stems into the sky
will forever cry victory.

khotin (normals welcome resident) returns for his second release on our imprint after his well received releases on 1080p and fauxpas musik. he joins up with australia’s dan white, whose release on forbidden planet found it’s way into our record bags this past year. deep space acid vibe on this one. 2 tracks per side by each artist.

the fine folks at moton, that will be diesel and jarvis, hook us up with something a little special this summer, slimming their usual 12 inch format down into superb colored 7 inches of edit delights. as we head onto the second disc, things only get better. *my guide* is a high emotion d-i-s-c-o trippy balearic rocker that is already making the playlists of the a-list. on the b side *mans lifespan* follows presently, hitting us with never can say goodbye as we ve never heard it before, thick with echoed vocals and spine tingling guitars. unreal! pressed on 7 inch limited transparent green vinyl.

featuring heavily on most of drumcodes shows due to his impeccable djing, bart skils is back with a new ep flexing his signature rolling sound and hooks. caressing from one track to another, the use of pads in this ep and using uneasy sounds to build tension in each track. the swelling bass within each track manoeuvres the tracks into dark after hours territory with the help of the subtle percussion.

chicago flotation device follow up last year s brutal untitled acid excursions with a lighter but still pounding 12- on their self-titled, self-released imprint. higher is an extended peak-time acid jam, culled from hours of scissor-sythed outtake tapes and 3rd floor studio sessions, distilled into one bubbling, screeching banger. untitled 9 is a subtler take on the cfd sound. a clean 808-led, floating juno jam that drifts undetected in the dark waters off scarborough bay.

borrowed music return to wax see s a release that very nearly didn t see the light of day. between the years of 1995-99, toka project were writing tracks at diy s studio and releasing ep s with their label, s4g. these tracks were stored on dat tape (remember) and left for release at a later date. when the toka boys moved into their own place the dats were misplaced and presumed lost for good. unknown to anyone at the time, the tracks had simply been placed on a hard drive and forgotten about, until now. so, borrowed is very proud to present a slice of unreleased 90s house just the way we like it